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Dutch Association of Aesthetics - Call for Abstracts - Annual Conference - May 27th-28th, 2011 - Ghent, Belgium
The Dutch Association of Aesthetics (http://nge.nl/daa/) is a society for everyone interested in theoretical, philosophical and critical reflection on the arts and the aesthetic dimensions of contemporary culture. The association offers a meeting place for philosophers, artists, art critics, art scientists, and people employed in art education and art policy.
On Friday May 27th and Saturday May 28th 2011, the Dutch Association of Aesthetics holds its annual conference at Ghent, Belgium. Keynote speakers are:
Paul Crowther(National University of Ireland, Galway)
Jerrold Levinson (University of Maryland)
Papers on any topic in aesthetics or the philosophy of art are invited. Abstracts should be appr. 1,000 words, and must be prepared for blind review. The deadline for abstracts is March 10th 2011. Conference languages are Dutch and English.
Conference venue: Ghent University, Faculty of Arts and Philosophy, Blandijnberg 2, 9000 Gent
Organising Committee: Hans Maes, Annelies Monseré, and Bart Vandenabeele
Gimme Shelter. Global discourses in aesthetics contains a series of reflections on the impact of globalization on the arts and the aesthetic reflection on the arts. The authors – fifteen distinguished aestheticians from all over the world - discuss a variety of aesthetic questions brought forth by the aforementioned process of globalization. How do artistic practices and aesthetic experiences change in response to these developments? How should we articulate these changes on the theoretical level? When reflections on the significance of art and aesthetic experiences can no longer pretend to be universal, is it still possible to lay claim to a wider validity than merely that of one’s own particular culture? What type of vocabulary allows for mutual – dialogical or even polylogical – exchanges and understandings when different traditions meet, without obliterating local differences? Is there a possibility for a creative re-description of globalization? And is there a meaning of ‘the global’ that cannot be reduced to universalism and unification? Can we seek shelter in a legitimate way?
Yearbook No. 15 is now available in a free Open Access edition and may be downloaded at the IAA Yearbook section of this website.
Figural uniquely offers a platform for scholars and workers of the humanities and the arts as well as the social and natural sciences to publish sayings and apophthegms that express aesthetic concerns or relate to aesthetic issues. The word "aesthetic” is not here restricted to some vague idea of beauty or formal matters; rather, the aesthetic refers to the experience of meaning (as in Hans-Georg Gadamer’s interpretation) at the crossroads of culture and sense perception (as implied in the ancient Greek etymology of the word – aisthesis). Our conception of the aesthetic goes therefore beyond the narrowing field defined by 18th century Europe.
Of course, the appearance and style of aphorisms, or any writing for that matter, are essential but only inasmuch as form and content become indistinguishable. What we care about is the Way that goes beyond skill, as Chuang Tzu would have it. We are interested in aesthetic aphorisms that find thoughtful ways to express perceptual experiences of the reality of this world and to renew such a reality through creative imagination.
The publication series does not aim at providing theoretical explanatory models or narratives of any kind; instead, we seek to publish aphorisms that are neither abstract nor figurative, but “figural,” as Gilles Deleuze defined the word when referring to painting in his Francis Bacon (1981) – aphorisms that are thought, written, and hopefully read as such.
We are pleased to announce that the work of choosing candidates of Young Scholar Awards has come to a conclusion. The following ten papers are chosen by a committee to be the winners of the awards. We herewith send our congratulations to them. Each of the winners will get 500 USD to support their trip to the 19th International Congress of Aesthetics in Krakow.
With best wishes,
Curtis Carter, President
Gao Jianping, Secretary General
Zhen Yang, “Can Gustatory Sense Be Aesthetic?” (China)
Ji Un Lee, “Digital Art” (Korea)
Barbora Bakošová, “Environmentally Engaged Art/Science Collaboration” (Masaryk University, Czech Republic)
James Garrison, “The Aesthetic Life of Power” (University of Vienna, Department of Philosophy, Austria)
Gloria Luque Moya, “Continuity between Art and Life” (University of Granada, Spain)
Sasa Hrnjez, “Kant’s Sublime” (University of Turin, Italy)
Sanna Lehtinen, “Personal Space and Everyday Aesthetic Experience” (University of Helsinki, Finland)
Cristian Hainic, “Proceduralism Heidegger” (Babes-Bolyai University of Cluj-Napoca, Romania)
Alan Elias Solis Serrano, “On Two Problems for Textualism” (Biola University, USA)
Laura Menatti, “Geophilosophy: Nature and Landscape” (University of The Basque, Spain)
The Department of Philosophy, Classics, History of Arts and Ideas welcome you to the 2013 Annual Conference of the Nordic Society for Aesthetics. The theme of the conference is “Gesture” and it will take place at the University of Oslo from May 30 – June 1, (Thursday noon through Saturday evening).
The use of gesticulation has always been a means by which human beings have expressed themselves. Being bodily rather than conceptual, its logos lie outside language. Within the fields of art and aesthetics, gesture implies an opening process as a distinctive way of cognition as well as an approach to the particular qualities of artworks. While Jean-François Lyotard associates the artwork with the processuality of gesture, Roland Barthes thinks gesture in terms of the event, and its production of effects, thus seeing gesture at once as a part of the artwork and as transgressing the work “itself”. For Theodor Adorno the gestural in music was a central topic and Ludwig Wittgenstein spoke of architecture as a gesture. Part of our aesthetic experience and of our “answer” to artworks is always gestural.
YOUNG SCHOLARS AWARDS
Curtis L. Carter, President
Gao Jianping, Secretary General
CALL FOR PAPERS
Contemporary Aesthetics is an international, interdisciplinary, online journal of contemporary theory, research, and application in aesthetics.
Contemporary Aesthetics (CA) is an international, interdisciplinary, peer- and blind-reviewed online journal of contemporary theory, research, and application in aesthetics. Contemporary Aesthetics has begun its tenth annual volume and invites submissions of articles that bear directly on contemporary aesthetic theory and concerns, as well as current reassessments of traditional issues. Articles that are primarily historical or that focus on particular art works or individual artists are not appropriate to the mission of this journal. The discussion should be accessible to an audience across disciplines and promote conversation across fields and practices. We welcome the use of visual images, auditory, or video clips to illustrate the text. The length of articles is normally no greater than 5,000 words but should not exceed 7,000 words, including an abstract and notes. Please go to http://www.contempaesthetics.org/pages/guidelines.html for more information about requirements, formatting, and guidelines for submission.
Charles University, Prague, Czech Republic, 17 – 19 June 2013
Submission deadline: 31st of January, 2013
The European Society for Aesthetics would like to invite you to submit a paper for presentation at the ESA Conference 2013. The conference will be co-organised by the ESA and the Faculty of Arts, Charles University in Prague and will take place in Prague from the 17th of June (morning) until the 19th of June 2013 (evening)
Edited by Fotis Jannidis, Gerhard Lauer and Simone Winko
Published by de Gruyter
The Journal of Literary Theory invites contributions for Vol. 7, No. 2 (2013)
SPECIAL ISSUE: AUTHENTICITY