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ANNOUNCEMENT: Thematic issue published
ESPES Vol. 6, No 2 (2017): Aesthetics Between Art and Society: Perspectives of Arnold Berleant’s Postkantian Aesthetics of Engagement
ESPES, the journal of the Slovak Society for Aesthetics, published its latest thematic issue dedicated to aesthetics of Arnold Berleant. The Editors invite you to review its content at espes.ff.unipo.sk.
The Editorial Board of Espes journal is grateful for work and fruitful cooperation with the host editor of the current special issue Aleksandra Lukaszewicz Alcaraz, from the Akademia Sztuki w Szczecinie, Poland.
The selection of essays in the 19th Yearbook of the International Association for Aesthetics aims to analyse the phenomenon of retracing the past, i.e. of identifying the signs, details and processes of the creative re-interpretation of long-lasting traditions both in actual works of art and in aesthetic thought, hence where the historical interconnectedness and the influence of earlier sources can appear.
Zoltán Somhegyi is a Hungarian art historian with a PhD in aesthetics, based in Sharjah, United Arab Emirates and working as an Assistant Professor at the College of Fine Arts and Design of the University of Sharjah. As a researcher of art history and aesthetics, he is specialised in 18–19 century art and art theory. Apart from being an art historian of classical arts, his other fields of interest are contemporary fine arts and art market trends. He curated exhibitions in six countries, participated in international art projects and often lectures on art in academic conferences. He is Secretary General and Website Editor of the International Association for Aesthetics and Consultant of Art Market Budapest – International Contemporary Art Fair. He is the author of books, academic papers, artist catalogues and more than two hundred articles, essays, critiques, and art fair reviews.
CALL FOR PAPERS
Aesthetica Universalis, the new journal of the Russian Society for Aesthetics is inviting articles for its first issue.
Deadline for submissions is November 30, 2017.
Please, find further information in the attached pdf, and on the journal's website.
CALL FOR PAPERS: Coordinates of Aesthetics, Art and Culture III.
European aesthetic thinking and artistic creation: sources, metamorphoses and their relevance. Slovakia, Prešov, 8. - 9. 11. 2017
The Institute of Aesthetics and Art Culture, Faculty of Arts, University of Presov, Slovakia and the Slovak Society for Aesthetics would like to invite you to rethinking the role of "European roots" in aesthetics and arts and to attend the international conference: Coordinates of Aesthetics, Art and Culture III. - European aesthetic thinking and artistic creation: sources, metamorphoses and their relevance. No doubt your participation will help to enlarge our scope of main theme by developing your view of the topic.
For more information on the topic and details of the submission see the attachments.
CALL FOR PAPERS
CFP: Open Call - Aesthetic Inquiries 4
Deadline: 01 September 2017
Evental Aesthetics is an independent, double-blind peer-reviewed journal dedicated to philosophical and aesthetic intersections. The journal is open-access, and there are no publication fees. The Editors seek submissions for an unthemed issue in late 2017.
Aesthetic Inquiries 4 will be devoted to philosophical matters pertaining to any aesthetic practice or experience, including but not limited to art and everyday aesthetics.
We welcome articles (4,000-8,000 words) and Collisions (1,000-2,500 words). Collisions are brief responses to aesthetic experiences that raise philosophical questions, pointing the way towards suggestive discussions. We're also seeking proposals for Collisions with academic books (EA’s version of book reviews).
Submission and formatting requirements, along with further information on Collisions, are available at http://eventalaesthetics.net/submissions/. Submissions that do not meet our requirements will not be considered. With questions not addressed by the EA website, please contact the Editors.
CALL FOR PAPERS
Art: Premodern, Modern, Postmodern, Bie-modern
With the development of globalization and localization, the relationship between art and its historical context is receiving renewed attention from a field of scholars. The description of premodern, modern and postmodern art may not be satisfactory when describing the motivation and influences of some contemporary Chinese art that has been identified as “Bie-modern art” or a hybrid form of art developing from within Chinese Society.
The Center for Chinese Bie-modern Studies (CCBMS) of Georgia Southwestern State University, in collaboration with the Institute of Aesthetics and Aesthetic Education of Shanghai Normal University, will host an International Symposium in October 2017.
For more information on the topic and details of the submission see the attachment.
CALL FOR PAPERS
Espes Journal – Special issue, Guest editor: Aleksandra Lukaszewicz
Aesthetics between art and society
Perspectives of Arnold Berleant's post-Kantian aesthetics of engagement.
Deadline for paper submissions: September 30, 2017
Please, find more information in the attachment.