Previous congresses of the IAA

Previous congresses of the IAA

Congresses

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By Jos de Mul

         I     Berlin (Germany), 1913        II     Paris (France), 1937       III     Venice (Italy), 1956       IV    Athens (Greece), 1960       …

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Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action

Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action

Yearbooks

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By Zoltan

Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action. International Yearbook of Aesthetics. Volume 18. 2014   Content   The 18th…

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ICA 2019 – Belgrade, Serbia, 22-26 July 2019

ICA 2019 – Belgrade, Serbia, 22-26 July 2019

News

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By Zoltan

ANNOUNCEMENT   The 21th International Congress of Aesthetics 2019 (ICA 2019) will be held in Belgrade, Serbia, from July 22…

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"Aesthetics and Mass Culture" – Proceedings of ICA 2016 – Seoul, Korea

"Aesthetics and Mass Culture" – Proceedings of ICA 2016 – Seoul, Korea

Publications

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By Zoltan

"Aesthetics and Mass Culture" Proceedings of the 20th International Congress of Aesthetics Seoul National University, Seoul, Korea Organised by the…

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Call for Papers

 

Installation as an interactive experience: a phenomenological and cognitive approach in an interartistic and intercultural perspective. (CFP extended 17 Dec. 2016)

 

Workshops series organised by Langarts, interuniversity research group, Paris

- Rennes, 7 April 2017, Université Rennes 2, APP (Arts: Pratiques, Poétiques); 

- Marseille, 19 May 2017, Aix-Marseille Université, LESA (Laboratoire d’Etudes en Sciences des Arts); 

- Paris, Langarts, 30 June (BIS-Sorbonne library). 

 

Installation art appeared in the late 1950s in plastic arts, forcing the practice into a new mode, in which the "plastic" (the modeling of the form) was no longer applied to a circumscribed material but to space. The modeling also includes the subjective experience of the viewer that the installation claims to seize "as it emerges" while the visitor walks in or around it. We here call for contributions studying physical or virtual constructions involving the meeting between a wandering subject and a prescriptive space in music, performing arts, film, literature.

Please, find more information in the attachment.