Previous congresses of the IAA

Previous congresses of the IAA

Congresses

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By Jos de Mul

         I     Berlin (Germany), 1913        II     Paris (France), 1937       III     Venice (Italy), 1956       IV    Athens (Greece), 1960       …

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Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action

Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action

Yearbooks

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By Zoltan

Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action. International Yearbook of Aesthetics. Volume 18. 2014   Content   The 18th…

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ICA 2019 – Belgrade, Serbia, 22-26 July 2019

ICA 2019 – Belgrade, Serbia, 22-26 July 2019

News

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By Zoltan

ANNOUNCEMENT   The 21th International Congress of Aesthetics 2019 (ICA 2019) will be held in Belgrade, Serbia, from July 22…

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"Aesthetics and Mass Culture" – Proceedings of ICA 2016 – Seoul, Korea

"Aesthetics and Mass Culture" – Proceedings of ICA 2016 – Seoul, Korea

Publications

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By Zoltan

"Aesthetics and Mass Culture" Proceedings of the 20th International Congress of Aesthetics Seoul National University, Seoul, Korea Organised by the…

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Zoltan

Zoltan

Call for Papers

The Nordic Society of Aesthetics Annual Conference

26-28 May 2016

Uppsala University (Sweden) 

 

Philosophy, Imagination, and the Arts

 

Keynote speakers:

Noel Carroll (CUNY Graduate Center)

Stacie Friend (Birkbeck College, University of London)

Jason Gaiger (The Ruskin School of Art, University of Oxford)

Lydia Goehr (Columbia University)

 

From whichever perspective we approach the realm of the arts, the imagination has long been considered central to our experience and understanding of it. In some contexts, the purposeful exercise of the imagination is held to be intimately bound up with the role of art and thus also with why we value it in the first place. But has this link between the imagination and the arts come to be felt so surely that we have begun to under-theorize it and take it for granted?      

There are at least two pressing reasons to re-examine the relation between the imagination and the arts. First, in the last couple of decades, considerable progress has been made in our understanding of the imagination and its applications. Developments in the philosophy of mind, for example, have equipped us not only with a taxonomy of several different kinds of imagination, but also an enhanced grasp of how the imagination feeds into creativity, mental imagery and our general cognitive architecture. But have these advances been sufficiently introduced into the discourse of aesthetics? Do practitioners, theorists and philosophers working in the arts need to look more closely at our concepts of the imagination?    

Second, much 21st-century art challenges our imagination in new and often uncharted ways. How should we approach today’s artworks and with what tools do we best appreciate it? Does the imagination play an increased, decreased or simply different role in the art of today, and how might such changes necessitate revisions to the concepts of art with which we operate in practice and theory? Does the imagination play a different kind of role in different kinds of art and, if so, what are the ramifications for theories purporting to unify the arts?

Proposals for papers on these and other questions related to the theme of Philosophy, Imagination and the Arts are warmly invited.  

Conference venue: Department of Philosophy, Uppsala University, Sweden.

Please send abstracts (approx. 250 words) by 15th March 2016 to This email address is being protected from spambots. You need JavaScript enabled to view it..

Notification of acceptance: 1st April 2015.

Non-presenting participants are also welcome. (NB Please register before 1st May 2016.)

 

For more information: http://www.filosofi.uu.se/research/conferences-and-workshops/#2016

Announcement from the Organising Committee of ICA Seoul 2016

 

Due to numerous requests to extend the deadline of early registration and abstract submission, the Organising Committee of 2016 ICA Seoul is pleased to announce that we will continue to accept abstract submissions until April 15, 2016. Until then, early registration fee will be applied. Those who wish to modify their abstract contents may do so until April 15 as well.

Thank you for your interest and participation.

Content

The monograph entitled “Performing Cultures” is a part of proceedings of 19th International Congress of Aesthetics which was held in Cracow, Poland in July of 2013. The meeting’s theme, “Aesthetics in Action”, provoked a fruitful debate on practical aspects of the discipline, which allowed researchers coming from different countries and cultural backgrounds to indicate and analyze areas where aesthetics applies to daily life actions. The volume contains analyses of aesthetic practices at their roots, coming from different cultural backgrounds. It covers: everyday aesthetics and interculture studies, architecture and urban studies, body and self fashioning researches as well as media and technological researches.

  

About the Editor

Jakub Petri

Institute of Philosophy, Jagiellonian University Cracow (Poland)

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Content

Naturalizing Aesthetics is a volume which has grown out from the 19th International Congress of Aesthetics which was held in late July 2013 in Krakow (Poland). The papers selected show new openings for the field which is in a constant fluctuation. The book aims to provide the readers with an assessment of the newest state of research on naturalist aesthetics, understood in the broadest way.

 

About the Editors

Ewa Chudoba

Jagiellonian University, Cracow, Poland

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Krystyna Wilkoszewska

Jagiellonian University, Cracow, Poland

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Content

Selection of papers from the 19th International Congress of Aesthetics in Cracow 2013, "Aesthetics in Action". The title of the monograph, Practising Aesthetics, refers to the various senses of the term practice, its keynote being the paraphrase of the topic of the 19th Congress: Art in Action. In most general terms, its subject matter explores the sphere of the cooperation between aesthetic thought and artistic practice, their interconnections and mutual inspirations. The term practising is intentionally used in the title to point to various projects whose different ways of approaching aesthetic reflection are evident in the way they develop their arguments, their selection of issues to be examined as well as examples from art chosen to illustrate those issues.

 

 

About the Editor

Lilianna Bieszczad

Jagiellonian University, Cracow, Poland

e-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.