I Berlin (Germany), 1913 II Paris (France), 1937 III Venice (Italy), 1956 IV Athens (Greece), 1960 …More...
Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action. International Yearbook of Aesthetics. Volume 18. 2014 Content The 18th…More...
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Zoltán Somhegyi (ed.). Retracing the past. Historical continuity in aesthetics from a global perspective International Yearbook of Aesthetics. Volume 19. 2017…More...
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CALL FOR PAPERS Abstract submissions are now open, until 15 October, 2021, for ICA 22. Please, find further details in…More...
The deadline for abstract submission for ICA22 has been extended to 7 November, 2022.
Submit your abstract through the registration form, which can be accessed on the Congress website.
Looking forward to welcoming you in Belo Horizonte!
Please, find the short programme of the ICA22 attached, and on the Congress website.
The deadline for abstract submission for ICA22 has been extended to 15 October, 2021.
Please, find further information on the Congress website.
CALL FOR PAPERS
Abstract submissions are now open, until 15 October, 2021, for ICA 22.
Please, find further details in the attached poster, as well as on the Congress website.
It is our pleasure to inform you that members of the IAA EC have unanimously voted that the next ICA 22 Congress will be organized by the Brazilian Society for Aesthetics in Belo Horizonte in July 2022.
The title of the congress is: Contemporary Aesthetics: Dialogues through Art, Culture and Media.
Looking forward to seeing you there.
CALL FOR PAPERS
The 13th International Congress of Aesthetics - Brazil, entitled “Os fins da arte”, aims to highlight recurring themes in the history of philosophical aesthetics, elaborating the ambiguity in its title, namely: “fins”, which means “ends” and also “purposes”. The conference will be held in the Department of Philosophy at the Federal University of Minas Gerais in Pampulha. Also known as the Lake District, Pampulha, was recently named a UNESCO World Heritage Site, for its modern architecture ensemble by Oscar Niemeyer.