Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action. International Yearbook of Aesthetics. Volume 18. 2014 Content The 18th…More...
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Oxford University Press
The Aesthetics Of Everyday Life
Call For Papers
Deadline For Submissions Is January 31, 2017.
101:1 Jan 2018. The Aesthetics of Everyday Life
Deadline for submissions: Jan 31, 2017
Historically aesthetics has focused on the philosophy of art, on the nature of beauty, and on the character of the experience of both. This tended to represent the aesthetic as somewhat rare and elevated above ordinary experience and practice. In recent decades, however, the subject has broadened, with attention being given to a wider diversity of art forms including conceptual art and land art, computer art, the cinema, and video arts. In addition there has been a growth of interest in environmental aesthetics.
A more limited development has been the recognition of the ubiquity of the aesthetic within the fabric of everyday life as for example in work on the aesthetics of the built environment, of personal spaces, and on the aesthetic aspects of social life. Papers are invited that explore either the general idea of an aesthetics of everyday life, or particular topics within this general area. Of particular interest are papers relating the aesthetics of everyday life to issues in social relationships and public policy, for example in relation to clothing styles and fashion, public rituals and ceremonies, landscape design and gardening, urban planning, ambient sound, and graffiti.
The 18th volume of the International Yearbook of Aesthetics comprises a selection of papers presented at the 19th International Congress of Aesthetics, which took place in Cracow in 2013. The Congress entitled “Aesthetics in Action” was intended to cover an extended research area of aesthetics going beyond the fine arts towards various forms of human practice. In this way it bore witness to the transformation that aesthetics has been undergoing for a few decades at the turn of the 20th and 21st centuries.
Krystyna Wilkoszewska is professor of philosophy and aesthetics and Head of the Department of Aesthetics at the Jagiellonian University in Cracow, Poland. She is President of the Polish Society of Aesthetics and Director of John Dewey Research Center founded by her at the Jagiellonian University. She is a delegate in the Executive Committee in the International Association for Aesthetics and a member of Board in Central European Pragmatist Forum. She was awarded research grants from ACLS and Humboldt Foundation. Her main interest is in pragmatist philosophy and aesthetics, somaesthetics, postmodern philosophy and art, eco-aesthetics, transcultural studies. She published Art as the Rhythm of Life: Reconstruction of John Dewey’s Philosophy of Art; Postmodernism in Philosophy and Art and edited among others three volume Japanese Aesthetics; Vision and Revision; Transcultural Aesthetics; Aesthetics and Cultures. She is editor of the series: “Aesthetics in the World”, “Classics of Polish Aesthetics”.
On behalf of the members of the Korean Society for Aesthetics, I am greatly honored to hold the 20th International Congress for Aesthetics in Seoul, the capital of the Republic of Korea, under the auspices of the International Association for Aesthetics (L’Association Internationale d’Esthétique). The Congress will be held on the campus of Seoul National University from the 24th (Sunday) to the 29th (Friday) of July, 2016. SNU is the most prestigious university in the Republic of Korea (South Korea) and home to the only Department of Aesthetics in the country.
The Korean Society of Aesthetics, the most authoritative nationwide society in the field, was established in September, 1968, being the first association for aesthetics in the Republic of Korea. With a 47-year tradition, the now more than 300 members of the KSA are actively engaged in a broad range of aesthetic subjects across the Asian, Analytic, and European traditions, including theories of painting, the aesthetics of music and film, and sociological aesthetics. Our members also play major roles in the various artistic and cultural fields in Korea. Many members of the KSA earned their Ph. D. degrees abroad, mainly from the USA, Germany, and France in the West, and China and Japan in the East. As a result, the academic climate of the KSA is comprehensive and well-informed, and the Society is very well-equipped to deal with aesthetics in an international context. With such broad backgrounds, we are confident in our ability to host a very successful Seoul ICA.
The theme of the Seoul Congress is “Aesthetics and Mass Culture.” The Congress will focus on the various aesthetic aspects of mass culture, which, due to the rapid development of information technology, has become one of the most prominent of contemporary cultural phenomena. We are all familiar with the idea of globalization and with developments in information technology. We have been told that, thanks to the internet and other modes of information technology, there are a few, if any, places isolated from the rest of the world today. The importance of globalization, one of whose symptoms is the overwhelming flow of information, is not just that we can learn more about other countries, other people, and other cultures, but also that we become more likely to be influenced by other cultures, especially their ways of life. To try to understand and, in some cases, to accept other cultures and life styles often results in a change of one’s own view of life, even one’s own view of the world, which also includes one’s conception of the arts and sensibilities to the aesthetic. But the revolution of information technology also raises the philosophical or aesthetic issue of mass art and mass culture, which, we think, deserves serious discussion. We hope that the Congress will achieve many fruitful results from the many urgent aesthetic questions arising as a result of these phenomena.
In addition to these questions, the Seoul Congress, as with all other Congresses, will be open to every traditional subject of aesthetics and we welcome papers and panel proposals devoted to all fields of aesthetics. The Congress will consist of several panels and round tables, along with dozens of sessions, including sessions for individual artistic genres. The Organizing Committee will choose the topics for some events, but the rest will be open to the general members of the IAA.
It is my promise that we will devote all our efforts to the success of the Seoul Congress. In the name of all the members of the Korean Society for Aesthetics, I hope to see you all in Korea next summer.
Prof. Chong-hwan Oh
(President of the Organizing Committee for 2016 ICA,
Seoul National University, Seoul, Republic of Korea)
I Berlin (Germany), 1913
II Paris (France), 1937
III Venice (Italy), 1956
IV Athens (Greece), 1960
V Amsterdam (The Netherlands), 1964
VI Upsala (Sweden), 1968
VII Bucharest (Romania), 1972
VIII Darmstadt (Germany), 1976
IX Dubrovnik (Yoegoslavia), 1980
X Montreal (Canada), 1984
XI Nottingham (England), 1988.
XII Madrid (Spain), 1992
XIII Lahti (Finland), 1995
XIV Ljubljana (Slovenia), 1998
XV Tokyo (Japan), 2001
XVI Rio de Janeiro (Brazil), 2004
XVII Ankara (Turkey), 2007
XVIII Beijing (China) 2010
XIX Krakow (Poland) 2013
XX Seoul (Korea) 2016
XXI Belgrade (Serbia) 2019
SANART Association for Aesthetics and Visual Culture was founded in 1991 with the aim to develop the philosophical and discursive background to artistic practice and the promotion of Aesthetics in Turkey. Since 1992 it has organized many international symposia inviting both accomplished artists and scholars in aesthetics, art and architecture. Each symposia is accompanied by related artistic events, exhibitions and performances. The 1992 ‘Identity, Marginality and Space’ Symposium hosted a CoBrA exhibition at the National Museum in Ankara as well as Japanese ceramics and South American painting shows. Ever since many similar artistic events and conferences have been organized including the 2007 International Congress of Aesthetics at the Middle East Technical University in Ankara which was attended by more than 400 participants. Many of these activities have been recorded in bilingual publications. SANART today has 90 active members. From 1992 to 2010 Jale Erzen acted as the President, since 2010 the president is Cana Bilsel.
Website of the SANART Association for Aesthetics and Visual Culture.