Previous congresses of the IAA

Previous congresses of the IAA

Congresses

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By Jos de Mul

         I     Berlin (Germany), 1913        II     Paris (France), 1937       III     Venice (Italy), 1956       IV    Athens (Greece), 1960       …

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Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action

Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action

Yearbooks

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By Zoltan

Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action. International Yearbook of Aesthetics. Volume 18. 2014   Content   The 18th…

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"Aesthetics and Mass Culture" – Proceedings of ICA 2016 – Seoul, Korea

"Aesthetics and Mass Culture" – Proceedings of ICA 2016 – Seoul, Korea

Publications

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By Zoltan

"Aesthetics and Mass Culture" Proceedings of the 20th International Congress of Aesthetics Seoul National University, Seoul, Korea Organised by the…

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Volume 19. Zoltán Somhegyi (ed.). Retracing the past. Historical continuity in aesthetics from a global perspective

Volume 19. Zoltán Somhegyi (ed.). Retracing the past. Historical continuity in aesthetics from a global perspective

Yearbooks

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By Zoltan

Zoltán Somhegyi (ed.). Retracing the past. Historical continuity in aesthetics from a global perspective International Yearbook of Aesthetics. Volume 19. 2017…

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CALL FOR PAPERS

The editorial board of the ESPES journal continues its commitment to focus on thematic issues dedicated to scholars who have contributed to shape contemporary aesthetic thinking. After the positively received ‘Berleantian’ issue (2/2017) we now aim to concentrate on the philosophy of Tomáš Kulka (1948), which has gained major attention not only within Slovak and Czech aesthetics but also in the wider European and world context. 

Online submission deadline: September 15, 2019

Please, find further details in the attached pdf.

CALL FOR PAPERS

The 14th International Conference of Aesthetics “Arts of Body, Bodies of Art”, organized by the Brazilian Association of Aesthetics (ABRE), the Federal University of Minas Gerais and the Federal University of Ouro Preto is going to take place in the historical city Ouro Preto (Minas Gerais, Brazil) between 22 and 25 October 2019, and endeavours to focus on the question of the role that the human body plays in the arts under several viewpoints, such as, among others, “corporeity and politics”, “body, gender and sexuality”, “body: race and ethnicity”, “Philosophy of dance, of theatre or of performance”, “technical corporealities”, “culture industry”, “cultures of the body and sports”and “Ethics and Aesthetics”.

Deadline for abstract submissions: 7 June, 2019.

Please, find further details on the website of the conference.

CALL FOR PAPERS

“Beauty and Goodness: Exploring the Intersection“ is a two day conference on research at the crossroads between aesthetics and ethics, scheduled to take place on the 19th and 20th of September 2019 at the University of Southampton. Our confirmed keynote speakers are Prof. Paul C. Taylor and Prof. Heather Widdows. The conference is a collaboration between the European Commission-funded research project Art and Ethics and the Aesthetics and Ethics Research Group.

Deadline for abstract submissions: 7 June, 2019.

Please, find further details in the attached pdf.

CALL FOR PAPERS

Studi di Estetica is dedicating a special issue on the topic of the relationship between aesthetics and economics, edited by Giovanni Matteucci and Gioia Laura Iannilli.

Deadline for article submissions: 1 September, 2019.

Please, find further detail on the topic and submission on this link.

CALL FOR APPLICATIONS

The Italian Society of Aesthetics is pleased to announce the 2nd edition of the Summer School, titled “L’estetica e le arti: traiettorie e percorsi”, which will take place at the ancient Conservatorio delle Orfane, in Terra Murata (Island of Procida), branch of the University of Naples “L’Orientale”.

The Summer School will focus on some central issues of philosophical aesthetics, re-thought according to the theoretical and urging cultural tendencies of the present time and revolved around the current debates about contemporary art, image-theories, the public profile and design of the aesthetic, the new forms of perceiving and sharing of aesthetic or artistic contents.

Deadline for applications: 22 March, 2019.

Please, find more information in the attached pdf and on this website.

CALL FOR PAPERS

The Institute of Aesthetics and Art Culture of the Faculty of Arts of the University of Presov in Presov, Slovakia and the Society for Aesthetics in Slovakia (SPES) is organising a second edition of the cycle of international scientific conferences, between 17-19 May 2019 in the High Tatras with the theme: “Questions and problems of perspectives of art, respectively “Ends of Art” in the aesthetic, artistic and philosophic theories”.

Deadline for application: 10 April, 2019.

Please, find further details in the attachment.

CALL FOR PAPERS

The University of Navarra is organising an international conference that aims to discuss art as experience and focuses on those Spanish artists who understand art as experience, action, and life.

Deadline for abstract submission: 14 February, 2019.

Please, find further details in the attachment or on the conference website.

CALL FOR PAPERS

The 3. Turkish Congress of Aesthetics is scheduled to be held between 23-25 May, 2019, at METU Culture and Convention Center in Ankara, Turkey. The congress is organized by SANART Association of Aesthetics and Visual Culture, in cooperation with Ankara University Department of Philosophy, Middle East Technical University Departments of Philosophy, Architecture, Music and Fine Arts. The Organisers warmly welcome scholars and artists to submit proposals for paper presentations, panels and workshops, and share valuable experiences with scholars and students working in different fields of aesthetics. 

Deadline for Abstracts: April 10, 2019.

For detailed information visit the website of the congress.

CALL FOR PAPERS

The Polish Journal of Aesthetics

On the threshold of the third decade of the twenty-first century, we wish to take a look at improvisation in contemporary art. What is the current significance of this creative method? What is the status of research on improvised art as well as on improvisation as a mode of operation in general? Has improvised art created its own distinctive forms, can it be captured by means of the categories we apply to non-improvisational art, or does it perhaps require new creative as well as new theoretical tools? 

Deadline for submissions: 31 March, 2019

Please, find further information on the website of the journal.

CALL FOR PAPERS

Evental Aesthetics 

CFP: AI and ubiquitous smart technologies

Deadline: 31 March, 2019

Evental Aesthetics is an independent, double-blind peer-reviewed journal dedicated to philosophical and aesthetic intersections. The journal is open-access, and there are no publication fees. The Editors seek submissions for a themed issue in the summer of 2019, analysing the topic of AI and ubiquitous smart technologies. More details on the topic at: http://eventalaesthetics.net/cfp/

Topics may be freely interpreted. However, all submissions must address philosophical matters, broadly construed. We welcome articles (4,000-8,000 words) and Collisions (1,000-2,500 words). Collisions are brief responses to aesthetic experiences that raise philosophical questions, pointing the way towards suggestive discussions.

Submission and formatting requirements, along with further information on Collisions, are available at http://eventalaesthetics.net/submissions/. Submissions that do not meet our requirements will not be considered. With questions not addressed by the EA website, please contact the Editors.