Previous congresses of the IAA

Previous congresses of the IAA

Congresses

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By Jos de Mul

         I     Berlin (Germany), 1913        II     Paris (France), 1937       III     Venice (Italy), 1956       IV    Athens (Greece), 1960       …

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Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action

Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action

Yearbooks

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By Zoltan

Volume 18. Krystyna Wilkoszewska (ed.). Aesthetics in Action. International Yearbook of Aesthetics. Volume 18. 2014   Content   The 18th…

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ICA 2019 – Belgrade, Serbia, 22-26 July 2019

ICA 2019 – Belgrade, Serbia, 22-26 July 2019

News

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By Zoltan

ANNOUNCEMENT   The 21th International Congress of Aesthetics 2019 (ICA 2019) will be held in Belgrade, Serbia, from July 22…

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"Aesthetics and Mass Culture" – Proceedings of ICA 2016 – Seoul, Korea

"Aesthetics and Mass Culture" – Proceedings of ICA 2016 – Seoul, Korea

Publications

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By Zoltan

"Aesthetics and Mass Culture" Proceedings of the 20th International Congress of Aesthetics Seoul National University, Seoul, Korea Organised by the…

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Volume 19. Zoltán Somhegyi (ed.). Retracing the past. Historical continuity in aesthetics from a global perspective

Volume 19. Zoltán Somhegyi (ed.). Retracing the past. Historical continuity in aesthetics from a global perspective

Yearbooks

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By Zoltan

Zoltán Somhegyi (ed.). Retracing the past. Historical continuity in aesthetics from a global perspective International Yearbook of Aesthetics. Volume 19. 2017…

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IRCA

I

IRCA International Seminar 2013 Rome

Who is Afraid of Experimentation? Art Theory in Japan after World War II,

with Genta OKAMOTO (Okayama University, Japan), Ayako IKENO (JSPS, Tokyo University, Japan)

and Giuseppe PATELLA (University of Rome Tor Vergata).

October 8th, 2013, 10 a.m.

University of Rome Tor Vergata

Via Columbia 1

00133 Rome (Italy).

http://irca.uniroma2.it

Conference Notification

International Conference “Literary Theories and Critiques of Our Time” & 11th Annual Conference of China Association of Sino-Foreign Literary and Arts Theories (CASFLAT), August 15-19, 2014

Henan University, Kaifeng, Henan Province, ChinaCo-sponsored by CASFLAT, Henan University College of Humanities, Section of Literary Theories of Institute of Literature, CASS, and International Association for Aesthetics      

The 11th Annual Conference of CASFLAT on “The Literary Theory and Critique of Our Times” concentrates on the relationship of literary theory and critique to the times, society and contemporary living condition. Theme of 2014 is to restate the commitment of relating literary theoretical studies with the presence of contemporary China, in the hope of exploring the ways to rectifying the separation between theories and practices, and the inadequate introductions and interpretations of the foreign and classical literary theories.

This conference will include panel presentations, and keynote speeches by invited international scholars, as well as roundtable discussions. This conference welcomes papers address on, but not limited to, the following research topics:

  1. lLiterary Theory: Origins and Characters
  2. lMethodology, Value of Literary Critique and its present situation
  3. lForeign Literary Theories and Its Impact
  4. lClassical Literary Theory in Contemporary Times
  5. lChances and Challenges of Literary Theory
  6. lWestern Marxist Literary Theories and Contemporary Cultural Critique
  7. lEco-Criticism and Cultural Concerns

Please reply to This email address is being protected from spambots. You need JavaScript enabled to view it. with your confirmation and paper abstract no later than May 31th, and the formal conference invitation will be sent upon early June. Modified versions of the selected papers of the conference will be published in the Journal of CASFLAT reviewed by peer scholars.

The conference committee has arranged the post-conference cultural tour, including three lines: Luoyang (Shaolin Temple and Longmen Grottos), Anyang (Relics of Yin Dynasty), and Kaifeng (Dragon Pagoda, Prime Minister Temple, Jin-Shan-Gan Guild Hall), which is not covered by the registration fee. The conference committee will be assisting to contact with local tourist agencies.

We cordially welcome you to attend our 11th CASFLAT conference and look forward to the reunion in Kaifeng! Should you have any questions, please contact with us:

Liu Zhuo:  This email address is being protected from spambots. You need JavaScript enabled to view it.; (86-10) 135-2061-9526

EventalAesthetics635

Evental Aesthetics 2, no.1 (2013) - Aesthetics Before 1700 - Deadline: February 1, 2013

The Editors of Evental Aesthetics, a peer-reviewed, open-access journal dedicated to philosophy and art, are pleased to invite submissions for our forthcoming issue on aesthetic practices developed prior to 1700.

We welcome authors from any discipline, and topics based on the aesthetic practice of any culture.  Neither philosophical perspectives nor artworks proposed for analysis need originate in Western cultures, although they may of course do so.


If you want to announce a conference, lecture or (special item of) a journal in the domain of aesthetics or philosophy of art on this website, please send your announcement to This email address is being protected from spambots. You need JavaScript enabled to view it.. Illustrations are welcome and should (preferably) be 635x277 pixels, like the Annunciation below.

annunciatie 635 x 288

 

 This section contains the Newsletters and Yearbooks published by the IAA, links to journals published by the National Societies of Aesthetics or edited by members of the IAA, the archives of the IAA, and proceedings documenting conferences organized by the IAA or member societies.

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ica18The  First International Congress of Aesthetics (ICA) has been organized by Max Dessoir in Berlin in 1913. A second congress took place in Paris in 1937.  Interrupted by the Second World War, the congresses resumed in 1956, when the third congress was held in Venice.  From that time until 1992, congresses took place at four-year intervals. From that time on they have been arranged at three-year intervals. Until 2000 all congresses were held in Europe.  Increasing interest in aesthetics and a greater concern for international communication and association led the Association to enlarge the geographical scope of the congresses, starting with the XVth ICA in Tokyo, 2001.  Rio de Janeiro in 2004, Ankara in 2007 and Beijing in 2010.  In 2013 - exactly one hundred years since the first congress in Berlin,  the congress will be in Krakow .

Please note that the membership rate is $ 30 for three  years.

Membership rate for students for three years is $15

n.b. Those who participate in the International Congresses of the IAA (which are held every three years, the next one will be in Krakow in 2013) are automatically member of the IAA, as the fee for the three year membership of the IAA ($ 30) is included in the congress fee.

 

Next to the journals published by the National Societies of Aesthetics, this list also contains the names of journals in the domain of aesthetics and philosophy of art edited by individual members of the IAA, as well as journals of other organizations. 

A Parte Rei. Revista de Filosfia

Aesthetics (ed. by Japanese Society for Aesthetics)

Aisthesis: Revista Chilena de Investigaciones Estéticas

Aisthesis: Rivista de Estetica Online

Aristos

Art and Cognition Workshops

Arts and Neurosciences

ASAGE

Boletín de Estética

British Journal of Aesthetics

Cinema: Journal of Philosophy and the Moving Image

College Art Association On-Line Reviews

Consciousness, Literature and the Arts

Contemporary Aesthetics

Critical Studies in Improvisation

Culture and Dialogue

Estetika: The Central European Journal of Aesthetics

Esthetica: Tijdschrift voor kunst en filosofie

Figures de l'Art: Revue d'Etudes Esthetiques

Film and Philosophy

Film-Philosophy

International Yearbook of Aesthetics

Journal of Aesthetic Education

Journal of Aesthetics and Art Criticism

Journal of Aesthetics and Culture

Journal of Aesthetics and Phenomenology

Journal of the Canadian Society for Aesthetics

Laocoonte. Journal of the Spanish Society for Aesthetics

Nordic Journal of Aesthetics

Paroli-Quaderni d'Arte e di Epistemologia

Postgraduate Journal of Aesthetics

Proceedings of the 1997 Sydney Conference on Comparative Aesthetics

Proceedings of the European Society for Aesthetics

Projections: The Journal for Movies and Mind

Proteus: Cahiers des Théories de l’Art

Rivista di Estetica

Studi di Estetica

Sztuka i Filozofia – Art and Philosophy

Terra Aestheticae

The Polish Journal of Aesthetics

Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft

southamericanart 650 x 288

The International Association of Aesthetics/Association Internationale d’Esthétique formally came into existence in 1988 at the XIth International Congress of Aesthetics in Nottingham, England.  However, the history of international association in aesthetics goes back many years.  It began with the First International Congress of Aesthetics organized by Max Dessoir in Berlin in 1913.   A second congress took place in Paris in 1937.  Interrupted by the Second World War, the congresses resumed in 1956, when the third congress was held in Venice.  From that time until 1992 with the meeting in Madrid, congresses took place at four-year intervals:  in Athens in 1960, Amsterdam in 1964, Upsala in 1968, Bucharest in 1972, Darmstadt in 1976, Dubrovnik in 1980, Montreal in 1984, and in Nottingham in 1988.

Before 1984 these meetings were arranged by the Comité International d'Esthétique.  Its members included many of the most eminent scholars in aesthetics representing countries with a strong tradition in aesthetics, including France, Germany, the United Kingdom, Italy, Poland, Japan, and the United States.  At various times the Comité included Etienne Souriau, Mikel Dufrenne, Harold Osborne, Luigi Pareyson, Tonomobu Imamichi, Milan Damnjanovic, Thomas Munro, and many other distinguished scholars.

As interest in aesthetics increased throughout the world, this committee, which was self-appointed and self-perpetuating, became at the same time less active and unable to respond to the needs of the growing community of aestheticians.  At the IXth International Congress in 1980 in Dubrovnik, the decision was made to establish an international association.  A committee, partly appointed by the Comité and partly elected by the delegates present, was charged with drafting a constitution.  The work of that committee was presented at the next congress at Montreal in 1984.  A constitution that included membership for both national societies and individual scholars was adopted by the delegates present, and a provisional Executive Committee was elected to begin organizing the Association.    Harold Osborne, who had been a member of the Comité and was instrumental in encouraging the organization of an international association, became our first President, planning was begun for future congresses and proposals made for additional activities of the Association.  He has since been followed in office by Göran Hermerén, Arnold Berleant, Aleš Erjavec, Ken-ichi Sasaki, Heinz Paetzold, Jos de Mul, Curtis Carter and Gao Jianping.

 

 

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Since the election of officers at its formal inauguration in 1988, the IAA/AIE has carried on its activities on a regular basis.  It has continued to organize international congresses, following the meeting in Nottingham with a congress in Madrid in 1992.  Increasing interest in aesthetics and a greater concern for international communication and association led the Association to enlarge the geographical scope of the congresses and to arrange them at three-year intervals, first in Lahti, Finland in 1995, in Ljubljana, Slovenia in 1998, in Tokyo, Japan in 2001, Rio de Janeiro, Brazil in 2004, Ankara, Turkey in 2007, Beijing, China in 2010, Krakow, Poland in 2013 and Seoul, Korea in 2016.  The Association also expanded its activities to include publication of the IAA Newsletter and, beginning in 1996, the International Yearbook of Aesthetics.  In 2019, the international congress will be held in Belgrade, Serbia.